The 7D has a 1.6x crop sensor as is standard for Canon APS-C bodies, which equates to approximately Super 35mm in the cinema world. 2048 x 930 – 4.07x crop mode (14bit 2.2:1)ġ4bit at the maximum resolution provided by the sensor is a go-go on the 7D.This camera is DIGIC IV so lacks 10bit raw support.
MAGIC LANTERN CANON SL2 ISO
It is noisier at ISO 1600 and above, but the noise has a film-like grain which is actually very pleasing. Without the anti-aliasing filter, the 5D Mark II will show moire, but it looks just as detailed as its more expensive cousin. The crop mode does not give you as much as a resolution bump as on the 5D Mark III, being capped to 2144 x 1076. The image from the 5D Mark II looks identical to the 5D Mark III if you have the VAF anti-aliasing filter installed from Mosaic Engineering.
MAGIC LANTERN CANON SL2 FULL
In the 4K/3K/2K crop mode the 5D Mark III is capable of a whopping 3584 x 1320 (10bit) but only for 5 seconds. Drop to 2560 x 1090 and you have continuous 10bit raw, but quite a hefty 2.25x crop factor from the full frame sensor.